Download American Country: Bluegrass, Honky-Tonk, and Crossover Sounds

Download American Country: Bluegrass, Honky-Tonk, and Crossover Sounds

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American Country: Bluegrass, Honky-Tonk, and Crossover Sounds

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Audible Audiobook

Listening Length: 1 hour and 25 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Lerner Publishing Group

Audible.com Release Date: April 18, 2017

Language: English, English

ASIN: B01MZCWMRC

Amazon Best Sellers Rank:

A lot of kids think country isn't cool, but in reality it emanates from a lot of different styles, styles that just may have influenced what they are listening to. Country music "had its roots in the fold songs that immigrants brought to the United States from England,Scotland, and Ireland. For a long time the sounds were part of southern culture and it wasn't until talent scouts traveled to the South in search of talent during the 1920s and 1930s they were rediscovered. The talent they found would amaze the rest of the country when they found artists like Jimmie Rodgers and family groups like the Carters. Patsy Montana (Ruby Blevins) could yodel with the best of them and was "also one of country music's first female session musicians."After Patsy sold a cool million copies of one song, WWII rolled around and southern culture began to move across the nation. Even singers like Bing Crosby wanted in on the act and had a hit record. It may have been a hit, but some country folk still like the old-time music Roy Acuff and his group performed, "a traditional mountain-time music lineup of fiddle, string bass, rhythm guitar, and banjo." In the 1940s country began to rock when the rowdy honky-tonk style took hold. Hank Williams may have "made the term honky-tonk famous," but artists such as Floyd Tillman, Al Dexter, Ernest Tubb, Lefty Frizzell, and others wowed their audiences.The honky-tonk artists had to share the stage with the likes of Bill Monroe and the Blue Grass Boys and other bluegrass musicians and bands. One stage they all wouldn't share was the "Grand Ole Opry's," who didn't quite approve of another style dubbed Western swing. Hank Williams, "widely thought to be the greatest country artist of all time," finally made it to the Opry stage with his life-like emotional style. Ever hear the "Ballad of Jed Clampett" from "The Beverly Hillbillies?" Flatt and Scruggs were bluegrass artists from this era. Even Bob Dylan was influenced by Hank Williams's songs. The roots of country didn't stay in the South, but made inroads into many other types of music.In the 1950s the nation was certainly opening its eyes and saw the influence of country music for the first time when Elvis came on the scene with rockabilly. It was a cross between rock and hillbilly and boasted such artists as "Presley, Jerry Lee Lewis, Carl Perkins, Wanda Jackson, and Johnny Cash." Country music was branching out and has continued to do so to this day. Anyone see Kayne West diss Taylor Swift's "Best Female Video acceptance speech?" It was Hip Hop meets country. You'll also read about the evolution of country music, stars such as Kitty Wells, Jim Reeves, Buck Owens, Garth Brooks, Loretta Lynn, Tammy Wynette and George Jones, Dolly Parton, Red Foley, Merle Haggard, Glen Campbell, Patsy Cline, Johnny Cash, Willie Nelson, and you'll learn a lot about the history of American country music.This is a fabulous foray into the lives of the artists and history of country music the young reader will enjoy. Naturally in a book of this nature one cannot expect to touch on the lives of every country performer and group, but the overview was amazingly well done. For example, this book missed Merle Travis an artist inducted into the Country Music Hall of Fame. The layout of the book is peppered with photographs, "Must Download Playlists," short biographical sketches, and numerous informative sidebars. The different styles of country music were covered very nicely and there were several interesting vignettes about both the artists and the evolution of American country music. In the back of the book is an index, a glossary, a timeline (1927 to 2012), a selection of "Mini Bios,", a list of "Country Must-Haves," major awards, source notes, a selected bibliography, and additional book, film, and website resources to explore.AMERICAN COUNTRY: Bluegrass, Honky-Tonk, and Crossover SoundsAMERICAN HIP-HOP: Rappers, Djs, and Hard BeatsAMERICAN LATIN MUSIC: Rumba Rhythms, Bossa Nova, and the Salsa SoundAMERICAN POP: Hit Makers, Superstars, and Dance RevolutionariesAMERICAN R & B: Gospel Grooves, Funky Drummers, and Soul PowerAMERICAN ROCK: Guitar Heroes, Punks, and MetalheadsThis book courtesy of the publisher.

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American Country: Bluegrass, Honky-Tonk, and Crossover Sounds PDF

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Download My Hero Academia, Vol. 17, by Kohei Horikoshi

Download My Hero Academia, Vol. 17, by Kohei Horikoshi

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My Hero Academia, Vol. 17, by Kohei Horikoshi

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About the Author

Kohei Horikoshi was born in Aichi, Japan, in 1986. He received a Tezuka Award Honorable Mention in 2006, and after publishing several short stories in Akamaru Jump, his first serialized work In Weekly Shonen Jump was Oumagadoki Doubutsuen in 2010. My Hero Academia is his third series in Weekly Shonen Jump.

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Product details

Series: My Hero Academia (Book 17)

Paperback: 192 pages

Publisher: VIZ Media LLC (February 5, 2019)

Language: English

ISBN-10: 1974702561

ISBN-13: 978-1974702565

Product Dimensions:

5 x 0.7 x 7.5 inches

Shipping Weight: 5.8 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

20 customer reviews

Amazon Best Sellers Rank:

#1,380 in Books (See Top 100 in Books)

I would recommend this to everyone. The storyline has developed and love that fact that the story is now showing That not everyone is safe and people can die. I know the previous books did but now the core characters lives are in danger.

Mirio is the man, buy this to watch him shine!

Just preordered & it came right on time. I love Mirio, love My Hero Academia, & love Horikoshi's work. The manga came perfectly fine!

Awesome book it just came warped

Words can’t begin to explain how Awesome this series is! The art work is just fantastic, the characters feel so real that seeing them in pain makes me feel so bad for them, and the story just brings tears to my eyes

Thank You

I absolutely loved this volume! Mirio is my favorite character and I just HAD to pre-order this one. My copy came in perfect condition and I love it so much!

I purchased this for my 13 year old son . He almost has the complete collection . He liked this book as well and finished reading it in a day. He is an avivad reader.

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Free Download , by Jane Feather

Free Download , by Jane Feather

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, by Jane Feather

Free Download , by Jane Feather

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Product details

File Size: 926 KB

Print Length: 404 pages

Publisher: HarperCollins e-books; 1st edition (March 6, 2009)

Publication Date: March 17, 2009

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B001UQO44Q

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Amazon Best Sellers Rank:

#357,636 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I just finished this book today and came here to express how much I loved it! But I must confess I'm a little puzzled by all the negative/lackluster reviews. I'm glad I didn't read them before I bought and read the story.Wrought with impossible choices, sacrifice, and passionate love, the relationship between Kit and Anna was breathtaking and exciting. Set that against the unforgiving backdrop of a volatile Afghanistan, and you have an epic historical romance with as much relevance today as it had in it's fictional time period.I was fascinated with the culture and people even as I was slightly appalled. Akbar Kahn was a worthy villain with understandable motivation. Even if he wasn't relatable, he was likable. Just as the title implies, Bold Destiny is an exceptional period piece that has forgone the general romantic Regency charm for higher stakes, greater suffering, and a more powerful love.This story deserves it's ranking up there with some of the best of it's kind. For fans of Laura Kinsale, I would highly recommend. (less)

I LOVED this book. Interwoven with the true history of the awful defeat of the British in Afghanistan at Kabul was a poignant love story between a world-weary, cynical British officer and an Englishwoman who had been captured by the Afghans as a child and raised to be one of the Afghan chieftain's concubines.I loved how complex the characters were. There was no black and white here. Even Akbar Khan, the Afghan, was a fascinating man. Raised in the culture of hate and ferocity, Jane Feather managed to make him sympathetic in a way. I was left guessing whether--in his own barbaric way--he really loved Annabel. And Kit was wonderful: he was the typical reluctant, dissolute officer who despised his clueless superiors, but when called upon to fight, he was a fearless, natural leader, inspiring his dispirited men into suicidal battle. And Annabel was the mysterious and beautiful woman who was clever enough to inspire both men into the final confrontation which would decide all their destiny. The love story was stormy but sweet and the ending was unexpected.Jane Feather is a superb writer. I loved the way she structured the narrative to seamlessly weave back and forth between the protagonists, and I loved the history and background of the British war with the "infidels". It did remind me of what we are currently facing in our world today.I would highly recommend this book--I could not put it down. Her writing is

I generally like Jane Feather's books, but this one was hard to read. It was about the failed British occupation of Afghanistan, and things just kept going from bad to worse and then to much, much worse. The British were attacked, then they were starving, then they were freezing, then they were traveling through the mountains in the middle of winter, then they were ambushed, and corpses were piling up on all sides of them, then they were prisoners facing execution, and so on. It just kept getting worse and worse. It was not in any way a cheerful story.And all the white people were really, really stupid. All of them. Even the hero, Kit, had his stupid moments. Akbar Khan was never stupid. He was sly and cunning and ruthless. I almost wish the story was about him instead of Kit and Annabell. Akbar Khan was cool, and deserved a love story of his own. But that's not what this book was about.There was a happy ending, which happened in about the last 10 pages, but you had to go through a lot of pain to get there. This is not a book I would like to revisit. Three stars because the book was well-researched and well-written, but no more than that because it was painful to read.And one more thing -- the cover art is REALLY bad. Annabelle never wore western clothes, ever. She was often dirty and ragged, and wore leather trousers, or a burka, but never a white silk dress with bows and lacy garters. Didn't anybody read the book before they chose the cover art? The disconnect between the book and the cover is completely ridiculous.

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PDF Download Wild Soundscapes: Discovering the Voice of the Natural World, Revised Edition, by Bernie Krause

PDF Download Wild Soundscapes: Discovering the Voice of the Natural World, Revised Edition, by Bernie Krause

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Wild Soundscapes: Discovering the Voice of the Natural World, Revised Edition, by Bernie Krause

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Review

“Here’s a handbook and philosophical guide for anyone, young or old, who wishes to open their senses to an often forgotten dimension of the reality around us: the sounds of the natural world—the sounds that are more than audio vibrations, but doorways into other worlds.”—Richard Louv, author of Vitamin N, Last Child in the Woods, and The Nature Principle“Part fascinating meditation on sound, part essential manual, Bernie Krause’s Wild Soundscapes is the veritable bible for how to record nature’s fleeting song—not just technically, but reverently.”—Alan Weisman, author of Countdown and The World Without Us“Bernie Krause hears things the rest of us don’t even realize we’re missing. But if we listen carefully, starting with him, we just might resurrect some sweet sounds we’ve lost.”—Alan Weisman, author of Countdown and The World Without Us, on Voices of the Wild (Alan Weisman)“Here’s a handbook and philosophical guide for anyone, young or old, who wishes to open their senses to an often forgotten dimension of the reality around us: the sounds of the natural world—the sounds that are more than audio vibrations, but doorways into other worlds.”—Richard Louv, author of Vitamin N, Last Child in the Woods, and The Nature Principle (Richard Louv)“Part fascinating meditation on sound, part essential manual, Bernie Krause’s Wild Soundscapes is the veritable bible for how to record nature’s fleeting song—not just technically, but reverently.”—Alan Weisman, author of Countdown and The World Without Us (Alan Weisman)"Krause is a professional soundscape ecologist, and he reveals the wisdom and insider secrets gained from decades of recording audio in the wild . . .This is an extremely positive contribution to our understanding of the natural world."—Chris Fitch, Geographical (Chris Fitch Geographical 2016-10-10)

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About the Author

Bernie Krause is a soundscape ecologist, musician, and author. He and the British composer Richard Blackford collaborated on The Great Animal Orchestra: Symphony for Orchestra and Wild Soundscapes, and composed the score for the Alonzo King LINES Ballet ensemble's Biophony. He lives in Glen Ellen, CA.

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Product details

Paperback: 240 pages

Publisher: Yale University Press; Revised edition (May 24, 2016)

Language: English

ISBN-10: 9780300218190

ISBN-13: 978-0300218190

ASIN: 0300218192

Product Dimensions:

5.5 x 0.6 x 8.2 inches

Shipping Weight: 10.4 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#350,767 in Books (See Top 100 in Books)

I found it primarily of value in its mention of good locations for sound recording in California and parts of the western United States. Most of the information regarding how to do field recordings and what to use in terms of equipment is too general and vague to be of any use. It is an overview of field recording in general and by no stretch of the imagination can it be considered a field guide.For some reason there are many useful guides for getting into film and video sound recording or recording of live performances but a dearth of information for someone just getting into nature sound recording. Instead one needs to rely on blogs and forums on the internet and try to glean useful information and sort through what can be at time contradictory as much information relative to nature sound recording is highly subjective with different individuals having either a different opinion or different perspective based on their objectives.It would be extremely helpful if Krause and others would cover the different recording approaches (XY, SASS, ORTF, binaural, contact, boundary, etc.) and the equipment options for different budgets. All to often people will recommend a "basic" binaural kit that has a recorder, two DPA microphones, and headphones for a cost that is more than $4,000, or recommend a dual microphone XY or ORTF kit that will cost over $6,000 to assemble.How to record for post production is also ignored and though there are different approaches from the pyramid structuring of sound elements to the use of sonic layering (as with Chris Watson), and yet the end product is what is important and how to best achieve that end. It is also a matter of future proofing ones recordings and the time and expense to make them, so that they will still be of use later on.The glossary provided in the book is worthless as the information provided is too brief to provide any real understanding of the term and how it plays in sound recording. For example, "amplitude is described as "a signal level measured in decibels", and decibels is described as "the common practical unit for the logarithmic expression of ratios of loudness, power, voltage, current, etc." which means if your really want to know what these terms mean and put them into context for sound recording, you will need to look them up on Wikipedia.A better starting point for those interested in getting into field sound recording and who have little or no background in the area would be well advised to instead buy the e-book "Earth is a Solar Powered Jukebox" by Gordon Hempton. It provides several times the information as the book by Bernie Krause and as it is an e-book it has URL links to sound recordings which is needed for one to learning how to make ones own. Otherwise it is like a book on photography that is without any pictures.

This isn’t just a book on field recording. It is first and foremost a book on listening. If you want to explore how sounds affect your perception of place, you’ll want to check it out.

Wonderfully entertaining and informative, this book went with me to a remote island where I used it to create my most successful recordings to date.I subtract one star because Krause makes comments suggesting that the sounds of the city are not to be enjoyed. I enjoy all of the ambient sounds of natural environments, including non-native species, and industrial sounds.While he goes to great lengths to suggest that noises such as a jet pass-over detrimentally interrupt natural environments, the point fails to support the subject of the book. The information is well taken, but disturbing; which broke the magic of the book for me. That subject deserves its own book. This one deserved a more narrow focus.

This book is basically a "how-to" guide for making field recordings. Dr. Krause -- who is the undisputed best at this -- takes the reader through such steps as choosing appropriate equipment, determining a good locale, protecting equipment from the elements, cataloging your recordings, editing and assembling afterwards, etc. Using his own mistakes as examples, his advice promises to save beginners countless hours of aggravation. An illustrative (narrated) CD of soundscape examples accompanies the text.My only complaints would be that he sometimes aims a bit too low -- the glossary defines "quiet" and "mic" for crying out loud -- and he automatically assumes that anybody else entering the field will want to duplicate exactly what he's done (which of course would be pretty pointless). He also apparently doesn't see the inherent contradiction between "Nature is an overused and abstract word, intertwined with a tradition that has created an 'it/us' dichotomy that separates us from the very world we try to describe" [p.2] and "In 1968 it took 15 recording hours to get one hour's worth of natural sound. Now, due to human noise and disturbed habitats, it takes about 2,000 hours to get the same result" [p.3].Still, this is a valuable field guide for anybody starting out.

I only went 4 star because it did not contain as much recording technical tips as I had hoped for, but I don't believe this book was written for that purpose. The book was very enjoyable and gave me a different perspective on nature recording, such as learning to listen better while in the field, choosing my locations, and some helpful tips on preparing my equipment for various situations. The CD with Bernie's narration and wonderful field recordings and mixes ,was certainly 5 Star quality!

This book taught me how to mic instruments and taught me about the joys of natures symphony of sounds that we have forgotten about at least many of us who live in a city.

I have been professionally recording nature sounds for about 5 years. I bought the book to see if there was something I could learn from an accomplished artist. I didn't learn anything. Sorry to say the booked could have been summed up in a few paragraphs. How many ways can you write about the same paragraph to fill a book? Look elsewhere if you want to read about technical insight, recording issues, and artist flair.

He is just an amazing dedicated soul

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Ebook , by Robert A. Zaballa

Ebook , by Robert A. Zaballa

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, by Robert A. Zaballa

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File Size: 2504 KB

Print Length: 246 pages

Simultaneous Device Usage: Up to 4 simultaneous devices, per publisher limits

Publisher: Cambridge University Press (August 3, 2017)

Publication Date: August 1, 2017

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B0744JH2ZK

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Robert Cullen. Bombing is here! Thank you!

The average American possessing a basic knowledge of the history of nuclear weapons, at least to my anecdotal experience, believes nuclear weapons have been used twice since their creation, both times by the United States. The American military dropped the bomb on Hiroshima and Nagasaki, Japan, to end World War II, within days of each other, in August 1945. This history is factually incorrect.It is quite true that nuclear weapons have been used only twice in war, but they have been detonated many times in testing, and the results have been devastating.Keith M. Parsons, a professor of philosophy, and Robert A. Zaballa, a nuclear physicist, have written a concise account of the remarkable yet tragic history of nuclear testing in the Marshall Islands of the Pacific. In “Bombing the Marshall Islands: Cold War Tragedy,” Parsons and Zaballa recount the fascinating events chronicling nuclear testing and the impact on those physically affected by the blasts.The authors’ descriptions of the blasts themselves are truly frightening. One of a series of tests was named Castle Bravo, which they describe as “a stupendous blast of 15 megatons – the equivalent of the simultaneous detonation of fifteen million tons of conventional high explosive. The fireball reached four miles in diameter and excavated a crater 250 feet deep and 6,500 feet across. The mushroom cloud rose to a height of over sixty miles in less than ten minutes. The power of the blast greatly exceeded expectations.”According to the authors, “During that time, the United States conducted sixty-seven nuclear tests on and in the vicinity of Bikini. The combined explosive yield of these events was 108 megatons – the equivalent of one Hiroshima-sized bomb detonated daily for nineteen years. As a result, some of these islands were grossly polluted with radioactive fallout and rendered uninhabitable… The beauty of basic physics is part of the story, but so are terror, suffering, and death.”One of the reasons this book is so valuable is in its inherent fairness. The authors do not take political sides on the issue. In fact, they take care to sympathize and state the arguments for both points of view. While the testing clearly had awful effects, Parsons and Zaballa clearly explain why the United States felt the urgent need to test during the Cold War period in order to assure the survival of the United States. They write, “One view was that these weapons were purely evil and their eradication was the only hope for humanity. The opposed view was that eradication was impossible, at least at that time, and that deterrence was the best way to avoid a nuclear catastrophe.”Describing their book as a “scholarly popular history” written for all, the authors write, “The lesson we draw is straightforward: When nuclear war is not only conceived as possible but is planned as a basic element of policy, the risks run during the period of nuclear testing are completely unsurprising.”One physicist recorded his observation of one test. “Suddenly there was an enormous flash of light, the brightest light I have ever seen or that I think anyone has ever seen. It blasted; it pounced; it bored its way right through you. It was a vision that was seen with more than the eye. It was seen to last forever.”The authors continue, “The initial flash may seem to last forever, but in a few seconds the explosion dims to the point where it is bearable by the human eye. The light resolves into a massive fireball, like a second sun, still intensely brilliant. Then it quickly transforms into a great column of fire, thrusting upwards at terrific speed and displaying a spectrum of terrific colors. The iconic mushroom cloud forms and rapidly rises, finally topping off miles into the atmosphere, far higher than any mountain. The devastating shockwave propagates rapidly outward from the hypocenter.”They quote a report as stating, “It is clear that the use of this weapon would bring about the destruction of innumerable human lives; it is not a weapon that can be used exclusively for the destruction of material installations of military or semi-military purposes. Its use therefore carries much farther than the atomic bomb itself the policy of exterminating civilian populations.” The authors continue, “Because the hydrogen bomb would have no inherent limits on its destructive capacity, such a weapon could only be used to devastate vast areas and kill huge numbers of civilians.” They conclude: “Therefore, a super bomb might become a weapon of genocide.”While residents of the islands were forced to evacuate for the testing, the authors chide the United States government for dispossessing people on the promise that humanity was being served without fully explaining the impact on their lives. Nevertheless and contrary to promises, residents almost certainly were never going to be able to return to their native lands, at least not as a safe locale.The effects are difficult to contemplate. Upon returning to one island, “…they found that all of their traditional foods had changed. One traditional food is the arrowroot, which is a starch similar to tapioca that is obtained from the rhizomes of a local plant. After exposure to the fallout, the arrowroot died or shrank in size, and burned the moth when consumed. Other foods had changed color, which made them appear unappetizing and maybe dangerous.”On birth defects, the authors state, “…the islanders suffered an unusually large number of miscarriages and births of children with severe defects. Some women gave birth to unformed fetuses that were not recognizably human, which midwives referred to as jellyfish babies.’” Horrible stuff.In addition to this remarkable history, the Appendices at the back of the book actually serve as terrific primers for physics in general. It was the first time, at an author’s recommendation, that I read an Appendix first in order to better understand a book.“Bombing the Marshall Islands” is a fascinating journey to a complex time in American and human history. This book deserves a wide readership as Parsons and Zaballa treat the subject with great knowledge and expertise, as well as sympathy and understanding.

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Download PDF Fantastic Beasts -- The Crimes of Grindelwald

Download PDF Fantastic Beasts -- The Crimes of Grindelwald

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Fantastic Beasts -- The Crimes of Grindelwald

Download PDF Fantastic Beasts -- The Crimes of Grindelwald

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Product details

Series: Fantastic Beasts

Paperback: 20 pages

Publisher: Alfred Music (January 1, 2019)

Language: English

ISBN-10: 1470641615

ISBN-13: 978-1470641610

Product Dimensions:

9 x 12 inches

Shipping Weight: 3.2 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#57,010 in Books (See Top 100 in Books)

Great movie

Loved the extended version

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Ebook Landscape Plants for Subtropical Climates, by Bijan Dehgan

Ebook Landscape Plants for Subtropical Climates, by Bijan Dehgan

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Landscape Plants for Subtropical Climates, by Bijan Dehgan

Ebook Landscape Plants for Subtropical Climates, by Bijan Dehgan

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Product details

Paperback: 656 pages

Publisher: University Press of Florida; 1st edition (December 31, 1998)

Language: English

ISBN-10: 0813016282

ISBN-13: 978-0813016283

Product Dimensions:

7 x 1.5 x 10.2 inches

Shipping Weight: 2.6 pounds (View shipping rates and policies)

Average Customer Review:

3.4 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#341,199 in Books (See Top 100 in Books)

Bought this for ORH3513C at UF, and it's a really useful book! It has a ton of information about plants in this region, which is usually somewhat difficult to find online. Would've been better if the book had actual color photos of the plants, but I didn't mind since a simple Google search shows me the actual plant.

First off, all the drawings are in black and white and second, it didn't offer anything new that I couldn't get from Sunset Gardening Book (at least the pix in that book are in color). Also it's geared for Florida so if you live outside the hot and humid South, this book is not much help.

This is a great help to anyone who wants to understand,how each plant that grows in this region grows or needs to be cared for.It will help you buy soil or planting mixes and to fertilize your plants once or twice a year in season. I copy each page,that I need,to refer to often and put it with my gardening tools,so that,I do not ruin this Bible of plant lore,when I am watering or replanting the perennials.

This book does cover a lot of information. However as there are only pencil drawings,(and many of those look identical) without color pictures, the overall result is below the norm for most gardening/landscape plant books. It you own other books with color pix this might be a decent addition to your library, for additional information. For someone starting their collection, this book doesn't offer much.

Dr Dehgan's book is about as complete a guide as one can find for the state of Florida. It is extremely well organized combining the most useful information concerning a hugh variety of plants with a very intuitive format.

I bought this book as a requirement for a plant identification course (Dr Dehgan as an instructor). It contains information about every plant you could want for landscaping a tropical yard. As a reviewer stated earlier though, it contains only line art so it isn't really very visually impressive. For a gardener (or hobbyist) who already has an idea what plants he wants for a landscape and isn't trying to decide by looking at pictures I suspect this would be a great reference because it typically contains a full page of specs for each plant it lists. If all this information was converted to a database and made searchable by plant feature, what a wonder it would be. For the average layperson though (i.e. me), I think it has limited usefulness as a stand alone reference and is best combined with a nice pictorial guide. If this book had color plates it would hands down be a 5 star rating. Even at a lower rating than what I scored it, it would still be a great value and a worthwhile addition to your library for the modest price.

This is an excellent book with a lot of great information on growing and caring for tropical plants. It has great photos and describes most of the common tropical plants and trees. By Gregg L. Friedman MD, Psychiatrist, Hallandale Beach, FL

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