Free Download , by Jane Feather

Free Download , by Jane Feather

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, by Jane Feather

Free Download , by Jane Feather

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Product details

File Size: 926 KB

Print Length: 404 pages

Publisher: HarperCollins e-books; 1st edition (March 6, 2009)

Publication Date: March 17, 2009

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B001UQO44Q

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Amazon Best Sellers Rank:

#357,636 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I just finished this book today and came here to express how much I loved it! But I must confess I'm a little puzzled by all the negative/lackluster reviews. I'm glad I didn't read them before I bought and read the story.Wrought with impossible choices, sacrifice, and passionate love, the relationship between Kit and Anna was breathtaking and exciting. Set that against the unforgiving backdrop of a volatile Afghanistan, and you have an epic historical romance with as much relevance today as it had in it's fictional time period.I was fascinated with the culture and people even as I was slightly appalled. Akbar Kahn was a worthy villain with understandable motivation. Even if he wasn't relatable, he was likable. Just as the title implies, Bold Destiny is an exceptional period piece that has forgone the general romantic Regency charm for higher stakes, greater suffering, and a more powerful love.This story deserves it's ranking up there with some of the best of it's kind. For fans of Laura Kinsale, I would highly recommend. (less)

I LOVED this book. Interwoven with the true history of the awful defeat of the British in Afghanistan at Kabul was a poignant love story between a world-weary, cynical British officer and an Englishwoman who had been captured by the Afghans as a child and raised to be one of the Afghan chieftain's concubines.I loved how complex the characters were. There was no black and white here. Even Akbar Khan, the Afghan, was a fascinating man. Raised in the culture of hate and ferocity, Jane Feather managed to make him sympathetic in a way. I was left guessing whether--in his own barbaric way--he really loved Annabel. And Kit was wonderful: he was the typical reluctant, dissolute officer who despised his clueless superiors, but when called upon to fight, he was a fearless, natural leader, inspiring his dispirited men into suicidal battle. And Annabel was the mysterious and beautiful woman who was clever enough to inspire both men into the final confrontation which would decide all their destiny. The love story was stormy but sweet and the ending was unexpected.Jane Feather is a superb writer. I loved the way she structured the narrative to seamlessly weave back and forth between the protagonists, and I loved the history and background of the British war with the "infidels". It did remind me of what we are currently facing in our world today.I would highly recommend this book--I could not put it down. Her writing is

I generally like Jane Feather's books, but this one was hard to read. It was about the failed British occupation of Afghanistan, and things just kept going from bad to worse and then to much, much worse. The British were attacked, then they were starving, then they were freezing, then they were traveling through the mountains in the middle of winter, then they were ambushed, and corpses were piling up on all sides of them, then they were prisoners facing execution, and so on. It just kept getting worse and worse. It was not in any way a cheerful story.And all the white people were really, really stupid. All of them. Even the hero, Kit, had his stupid moments. Akbar Khan was never stupid. He was sly and cunning and ruthless. I almost wish the story was about him instead of Kit and Annabell. Akbar Khan was cool, and deserved a love story of his own. But that's not what this book was about.There was a happy ending, which happened in about the last 10 pages, but you had to go through a lot of pain to get there. This is not a book I would like to revisit. Three stars because the book was well-researched and well-written, but no more than that because it was painful to read.And one more thing -- the cover art is REALLY bad. Annabelle never wore western clothes, ever. She was often dirty and ragged, and wore leather trousers, or a burka, but never a white silk dress with bows and lacy garters. Didn't anybody read the book before they chose the cover art? The disconnect between the book and the cover is completely ridiculous.

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PDF Download Wild Soundscapes: Discovering the Voice of the Natural World, Revised Edition, by Bernie Krause

PDF Download Wild Soundscapes: Discovering the Voice of the Natural World, Revised Edition, by Bernie Krause

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Review

“Here’s a handbook and philosophical guide for anyone, young or old, who wishes to open their senses to an often forgotten dimension of the reality around us: the sounds of the natural world—the sounds that are more than audio vibrations, but doorways into other worlds.”—Richard Louv, author of Vitamin N, Last Child in the Woods, and The Nature Principle“Part fascinating meditation on sound, part essential manual, Bernie Krause’s Wild Soundscapes is the veritable bible for how to record nature’s fleeting song—not just technically, but reverently.”—Alan Weisman, author of Countdown and The World Without Us“Bernie Krause hears things the rest of us don’t even realize we’re missing. But if we listen carefully, starting with him, we just might resurrect some sweet sounds we’ve lost.”—Alan Weisman, author of Countdown and The World Without Us, on Voices of the Wild (Alan Weisman)“Here’s a handbook and philosophical guide for anyone, young or old, who wishes to open their senses to an often forgotten dimension of the reality around us: the sounds of the natural world—the sounds that are more than audio vibrations, but doorways into other worlds.”—Richard Louv, author of Vitamin N, Last Child in the Woods, and The Nature Principle (Richard Louv)“Part fascinating meditation on sound, part essential manual, Bernie Krause’s Wild Soundscapes is the veritable bible for how to record nature’s fleeting song—not just technically, but reverently.”—Alan Weisman, author of Countdown and The World Without Us (Alan Weisman)"Krause is a professional soundscape ecologist, and he reveals the wisdom and insider secrets gained from decades of recording audio in the wild . . .This is an extremely positive contribution to our understanding of the natural world."—Chris Fitch, Geographical (Chris Fitch Geographical 2016-10-10)

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About the Author

Bernie Krause is a soundscape ecologist, musician, and author. He and the British composer Richard Blackford collaborated on The Great Animal Orchestra: Symphony for Orchestra and Wild Soundscapes, and composed the score for the Alonzo King LINES Ballet ensemble's Biophony. He lives in Glen Ellen, CA.

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Product details

Paperback: 240 pages

Publisher: Yale University Press; Revised edition (May 24, 2016)

Language: English

ISBN-10: 9780300218190

ISBN-13: 978-0300218190

ASIN: 0300218192

Product Dimensions:

5.5 x 0.6 x 8.2 inches

Shipping Weight: 10.4 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#350,767 in Books (See Top 100 in Books)

I found it primarily of value in its mention of good locations for sound recording in California and parts of the western United States. Most of the information regarding how to do field recordings and what to use in terms of equipment is too general and vague to be of any use. It is an overview of field recording in general and by no stretch of the imagination can it be considered a field guide.For some reason there are many useful guides for getting into film and video sound recording or recording of live performances but a dearth of information for someone just getting into nature sound recording. Instead one needs to rely on blogs and forums on the internet and try to glean useful information and sort through what can be at time contradictory as much information relative to nature sound recording is highly subjective with different individuals having either a different opinion or different perspective based on their objectives.It would be extremely helpful if Krause and others would cover the different recording approaches (XY, SASS, ORTF, binaural, contact, boundary, etc.) and the equipment options for different budgets. All to often people will recommend a "basic" binaural kit that has a recorder, two DPA microphones, and headphones for a cost that is more than $4,000, or recommend a dual microphone XY or ORTF kit that will cost over $6,000 to assemble.How to record for post production is also ignored and though there are different approaches from the pyramid structuring of sound elements to the use of sonic layering (as with Chris Watson), and yet the end product is what is important and how to best achieve that end. It is also a matter of future proofing ones recordings and the time and expense to make them, so that they will still be of use later on.The glossary provided in the book is worthless as the information provided is too brief to provide any real understanding of the term and how it plays in sound recording. For example, "amplitude is described as "a signal level measured in decibels", and decibels is described as "the common practical unit for the logarithmic expression of ratios of loudness, power, voltage, current, etc." which means if your really want to know what these terms mean and put them into context for sound recording, you will need to look them up on Wikipedia.A better starting point for those interested in getting into field sound recording and who have little or no background in the area would be well advised to instead buy the e-book "Earth is a Solar Powered Jukebox" by Gordon Hempton. It provides several times the information as the book by Bernie Krause and as it is an e-book it has URL links to sound recordings which is needed for one to learning how to make ones own. Otherwise it is like a book on photography that is without any pictures.

This isn’t just a book on field recording. It is first and foremost a book on listening. If you want to explore how sounds affect your perception of place, you’ll want to check it out.

Wonderfully entertaining and informative, this book went with me to a remote island where I used it to create my most successful recordings to date.I subtract one star because Krause makes comments suggesting that the sounds of the city are not to be enjoyed. I enjoy all of the ambient sounds of natural environments, including non-native species, and industrial sounds.While he goes to great lengths to suggest that noises such as a jet pass-over detrimentally interrupt natural environments, the point fails to support the subject of the book. The information is well taken, but disturbing; which broke the magic of the book for me. That subject deserves its own book. This one deserved a more narrow focus.

This book is basically a "how-to" guide for making field recordings. Dr. Krause -- who is the undisputed best at this -- takes the reader through such steps as choosing appropriate equipment, determining a good locale, protecting equipment from the elements, cataloging your recordings, editing and assembling afterwards, etc. Using his own mistakes as examples, his advice promises to save beginners countless hours of aggravation. An illustrative (narrated) CD of soundscape examples accompanies the text.My only complaints would be that he sometimes aims a bit too low -- the glossary defines "quiet" and "mic" for crying out loud -- and he automatically assumes that anybody else entering the field will want to duplicate exactly what he's done (which of course would be pretty pointless). He also apparently doesn't see the inherent contradiction between "Nature is an overused and abstract word, intertwined with a tradition that has created an 'it/us' dichotomy that separates us from the very world we try to describe" [p.2] and "In 1968 it took 15 recording hours to get one hour's worth of natural sound. Now, due to human noise and disturbed habitats, it takes about 2,000 hours to get the same result" [p.3].Still, this is a valuable field guide for anybody starting out.

I only went 4 star because it did not contain as much recording technical tips as I had hoped for, but I don't believe this book was written for that purpose. The book was very enjoyable and gave me a different perspective on nature recording, such as learning to listen better while in the field, choosing my locations, and some helpful tips on preparing my equipment for various situations. The CD with Bernie's narration and wonderful field recordings and mixes ,was certainly 5 Star quality!

This book taught me how to mic instruments and taught me about the joys of natures symphony of sounds that we have forgotten about at least many of us who live in a city.

I have been professionally recording nature sounds for about 5 years. I bought the book to see if there was something I could learn from an accomplished artist. I didn't learn anything. Sorry to say the booked could have been summed up in a few paragraphs. How many ways can you write about the same paragraph to fill a book? Look elsewhere if you want to read about technical insight, recording issues, and artist flair.

He is just an amazing dedicated soul

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