Jumat, 29 September 2017

Posted by shepherdrosecaleb on September 29, 2017 in | No comments

Ebook Download The TAB Guide to Vacuum Tube Audio: Understanding and Building Tube Amps (TAB Electronics)

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The TAB Guide to Vacuum Tube Audio: Understanding and Building Tube Amps (TAB Electronics)

The TAB Guide to Vacuum Tube Audio: Understanding and Building Tube Amps (TAB Electronics)


The TAB Guide to Vacuum Tube Audio: Understanding and Building Tube Amps (TAB Electronics)


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The TAB Guide to Vacuum Tube Audio: Understanding and Building Tube Amps (TAB Electronics)

About the Author

Jerry C. Whitaker is Vice President of Standards Development at the Advanced Television Systems Committee (ATSC), Washington, D.C. He was previously President of Technical Press, a consulting company based in the San Jose area. Whitaker has been involved in various aspects of the electronics industry for over 30 years, with specialization in communications. He is the former editorial director and associate publisher of Broadcast Engineering and Video Systems magazines, and a former radio station chief engineer and television news producer. Mr. Whitaker is a Fellow of the Society of Broadcast Engineers, an SBE-certified professional broadcast engineer, a fellow of the Society of Motion Picture and Television Engineers, and a member of the Institute of Electrical and Electronics Engineers.

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Product details

Series: TAB Electronics

Paperback: 368 pages

Publisher: McGraw-Hill Education TAB; 1 edition (November 10, 2011)

Language: English

ISBN-10: 0071753214

ISBN-13: 978-0071753210

Product Dimensions:

7.4 x 0.9 x 9.1 inches

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

3.0 out of 5 stars

10 customer reviews

Amazon Best Sellers Rank:

#1,219,719 in Books (See Top 100 in Books)

I was extremely disappointed with this book - especially with the quality of the writing and the unsatisfactory organization. I found it difficult to follow the explanations of subjects that I already understood. It was essentially impossible to follow the discussion of material I was trying to learn.Alternatives: I found "Inside the Vacuum Tube" by John Rider to be an excellent and well written introduction to vacuum tubes; yes, it is over 60 years old, but I know of no better place to start learning the basics of tubes. For someone who knows basic principles of electronic circuits, I suggest "Valve Amplifiers" by Morgan Jones. Neither of the books I am recommending require a knowledge of calculus.

Highly recommended. This is an excellent book on the topic of vacuum tube audio. Especially well written and thorough treatment for anyone from the unknowing neophyte to the DIY project builder. Once I made my way to the triode and pentode coverage in the book: I had to have one! (Warning! Tubes can sound far better than what you are probably familiar with, and they require more maintenance. But: I'll never go back to solid state...)

The blueprint for the publication is just great. The tube preamplifier project is paramount for audiophiles, except for the choice of some tubes that can't be easily found requiring some rewiring on the socket soldering for equivalent tubes, hence.

The book is... strange. In fact it is a practical guide to build a few schematics from the RCA manual. The explanations and schematics seem to be simply copied from the manual (without any specific references). The author did not even change the terminology and the design goals, coming probably directly from the 1970s. He for example uses "PWB" instead of "PCB" and "inverse feedback" instead of "negative feedback". Aside of this nitpicking it seems strange that he talks extensively about the advantages of the negative feedback and power saving in the tube equipment. While it was actual at the time the RCA manual was written, today they are not the main goals of a tube audio designer. Speaking about the design. There is none. After reading the book you will not be able to design a new schematic or change an existing one much. For this I recommend excellent books by Morgan Jones. However the book contains useful information about building equipment but again, the Jones' book on this subject covers more material and makes you think in the right direction. The book may be useful for those who want just to build "something with tubes" with minimum hassle.

Firstly, any book on vacuum tube audio is or should be welcome, there aren't enough of them. It takes lots of effort to write and produce such a book, so that is the first star from me. Unfortunately, this is where the problems start (from the very start).1. The first two chapters (almost 50 pages) are not necessary.2. The title of the 1st chapter is totally wrong, it is NOT an overview of Vacuum Tube Audio Applications at all, but a weak overview of AC and DC principles, you will not learn much from such a superficial scan of hodge-podge topics such as "Dimensions of Hearing" and "the Atom" A drawing of an iron (FE) atom in a book on building tube amps???3. The 2nd chapter is better, but again, not deep or practical enough, and as such, not necessary.4. Some sections of Chapter 3, such as "Electron Optics" again have no place in a book of this kind. The computer "drawing" of a triode's construction on page 60 is weird, totally wrong or impossible to understand! The family of plate curves and transfer curves on page 78 show only the linear parts of the curves, this is NOT what real curves look like, misleading!5. The choice of circuits used as examples in Chapter 4 is strange, only one type of phase inverters is shown, and the section on "protection measures" does not mention any such measures, simply talks in general terms about maximum grid dissipation.6. Chapter 5, Interconnection, Layout and Operating Environment" is a total miss, a very shallow overview of an otherwise important topic.7. The language used throughout the book is very strange, very bureaucratic, such as: "A vacuum tube suffers wear-out because of a predictable chemical reaction" and then it continues "The cathode is the heart of any tube" without saying what that chemical reaction is and why is it important and why is the cathode the heart of any tube. Again, so is the heater, and the anode, and the grid ...8. Chapter 6 is so-so, but the photograph on page 148, showing 25 or so Heathkit instruments is weird. The caption says "Test equipment for audio project construction". You don't need most of these to build an amp, you may need a few basic ones to test it (such as a dummy load, a function generator, a multimeter and perhaps a scope).9.The choice of tubes in Chapter 7 again is strange. No 6L6, no EL34, no 6BQ5, no 6SN7 or any other commonly used tubes.10. Page 189 is the REAL start of the book and this is where in my view the biggest problem with the book becomes obvious, and that is its unsound methodological approach. For instance, the first power supply project is a regulated power supply. Why not start with an unregulated supply (90% of commercial amps do not use regulated power supplies), measure its performance, listen to both amps, then compare it with the regulated power supply IN THE SAME AMP? That would show the readers the benefits gained so they can decide if the prize is worth the price (complexity, cost, etc)11. The first of many PCB (or what the author calls PWB) designs is given here. Using PCBs in hi-end audio in my view is wrong, it over-complicates things, point-to-point wiring is much easier for constructors. PCB have only one advantage, and that is faster mass production. They have no place in making a one-off amp!12.There are quite a few errors and omissions in the book, to many to list here, one is on page 214, where a simple phono preamp diagram shows the use of a guitar jack at the input!?13. On page 254 the author says "Hammond (and perhaps other manufacturers) describes this as "ultra-linear operation." With billing like that, the author had to try it out." It seems the author had never heard about UL circuit or theory of operation before, patented by David Hafler (of Dynaco fame)and Herbert Keroes in 1951.14. The literature suggested again is very weird, you will not find books by Morgan Jones or the "Radiotron designer's handbook", but you will find books such as "Maintaining Electronic Systems" What the &%$@?In conclusion, I cannot recommend this book to anyone, despite my best intentions. It does not contribute anything new to the field, and should be read (but only the second half, after page 189) as one person's experience in building two of the designs from the RCA tube manual, nothing more and nothing less.

Excellent guide. Starts with the basis and then progresses to actual projects.

a+

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Kamis, 28 September 2017

Posted by shepherdrosecaleb on September 28, 2017 in | No comments

Download Beth Chatto's Woodland Garden: Shade-Loving Plants for Year-Round Interest, by Beth Chatto

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Beth Chatto's Woodland Garden: Shade-Loving Plants for Year-Round Interest, by Beth Chatto

Beth Chatto's Woodland Garden: Shade-Loving Plants for Year-Round Interest, by Beth Chatto


Beth Chatto's Woodland Garden: Shade-Loving Plants for Year-Round Interest, by Beth Chatto


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Beth Chatto's Woodland Garden: Shade-Loving Plants for Year-Round Interest, by Beth Chatto

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For plant lovers who lament, "I can't have a garden, I have too much shade," Chatto casts welcome light on one of garden design's best-kept secrets: the wondrous diversity of shade-loving plants. Month by month, plant by plant, step-by-step, Chatto conducts a tour of the acreage of her British estate, where glades fetchingly dubbed the "Little Grassy Wood" and the "Long Shady Walk" abound with seemingly every form of tree, shrub, bulb, and perennial known to mankind. Renowned for her inspired use of plant material and innovative designs that impart beauty to the most difficult sites, Chatto is as prolific a garden writer as she is a gardener. Adding splendidly to her previous works, staples of the well-stocked garden library, Chatto teams with award-winning photographer Steven Wooster to dramatically chronicle many of the more than 500 plants she avows will flourish in some of nature's darkest spots. Interspersing details about the fauna that frolic amid the flora, Chatto describes this amazing bounty in poetic, nearly rhapsodic terms. Carol HaggasCopyright © American Library Association. All rights reserved

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Product details

Hardcover: 224 pages

Publisher: Cassell (October 1, 2002)

Language: English

ISBN-10: 0304363669

ISBN-13: 978-0304363667

Product Dimensions:

7.8 x 0.8 x 9.8 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#1,801,917 in Books (See Top 100 in Books)

The book was written by a very experienced gardner with meticulous planning techniques and suggestions. Got alot of ideas from her book. Enjoy!

Beautiful and informative book.

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Rabu, 27 September 2017

Posted by shepherdrosecaleb on September 27, 2017 in | No comments

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File Size: 7274 KB

Print Length: 744 pages

Page Numbers Source ISBN: 0826124860

Publisher: Springer Publishing Company; 1 edition (July 25, 2016)

Publication Date: July 25, 2016

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01ESK2PTG

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Jumat, 22 September 2017

Posted by shepherdrosecaleb on September 22, 2017 in | No comments

Free PDF Interpretation & Overinterpretation (Tanner Lectures in Human Values)

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Interpretation & Overinterpretation (Tanner Lectures in Human Values)


Interpretation & Overinterpretation (Tanner Lectures in Human Values)


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"Interpretation and Overinterpretation is an excellent book, one of the most valuable contributions to literary theory of recent years." Philosophy and Literature"Like Eco himself, Interpretation and Overinterpretation is bracingly down-to-earth, accessible though complex, profound but not pompous...Before you know it the book is history. Yet its first-rate ironies and trenchant writing linger." The Philadelphia Inquirer"In Interpretation and Overinterpretation the many lives of Eco come together in a vibrant text full of wisdom and wit...interspersed with...theoretical considerations are fascinating anecdotal details about the writing of his two novels making the book must reading for Eco aficianados." The San Francisco Chronicle"...offers a unique opportunity not only to read Eco at his finest, but also to observe him interacting with some renowned contemporary scholars...Reading the essays collected in this volume gives one a sense of being present at a rare meeting of the minds: a semiotician and best-selling novelist meets three of today's most powerful minds in philosophy, literary theory, and postmodern fiction...the careful arguments of this powerful theorist should provoke us into reevaluating the role of interpretation in literary criticism and theory." James M. Lang, Studies in the Humanities"This book is densely charged and action packed." Antioch

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Book Description

Three of the world's leading figures in philosophy, literary theory, and criticism respond to the challenge of debate with novelist and literary theorist, Umberto Eco, on the question of literary interpretation.

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Product details

Series: Tanner Lectures in Human Values

Paperback: 164 pages

Publisher: Cambridge University Press (March 27, 1992)

Language: English

ISBN-10: 0521425549

ISBN-13: 978-0521425544

Product Dimensions:

5.5 x 0.4 x 8.5 inches

Shipping Weight: 8.5 ounces (View shipping rates and policies)

Average Customer Review:

3.4 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#902,017 in Books (See Top 100 in Books)

Brilliant man, but flawed thinking. As Jonathan Culler and other collaborators in the book point out, Eco arguably contradicts himself in his theories, but hey, it just makes analyzation that much more fun for a cynical theorist!

When reading a text, how much does what the author intended count for, if anything? Is there any way to tell what a text "really" means, or can it be read however you like for whatever purpose you like? Simple as they seem, these are the fundamental questions this book is concerned with, and it is Eco's task to explain why he thinks there should be limits to interpretation - against the prevailing opinions of many modern critics and thinkers.The book is laid out in eight sections. The first is the Introduction, which is substantial. If you're in the habit of skipping the introduction I would advise against it here, unless you consider yourself thoroughly familiar with the subject - it's helpful.The next three sections consist of a series of lectures Eco gave on this subject, where he establishes his main points. It's quite accessible to the layman, and in the few places where the terms get a bit obscure you can usually figure out what he's talking about from the context. He uses several historical examples which keep things interesting, and his arguments are interesting whether you find them convincing or not.Essays by Rorty, Culler and Brooke-Rose in response to these lectures make up the next part. Rorty, a self-described "pragmatist", makes the argument that we shouldn't concern ourselves with what makes a "valid" interpretation, and instead just use texts as they come before us for whatever purpose suits us best. Culler, coming from the side of the deconstructionists, argues that what Eco calls "overinterpretation" has a value of its own and reacts strongly to the implication that there should be any limits whatsoever imposed upon the critic. Brooke-Rose's piece on "palimpsest history" is not uninteresting but somewhat tangential, and you really have to stretch things to relate it to the argument going on between Eco, Rorty and Culler.The wrap-up section is a response from Eco, mostly addressing Rorty's points though dealing somewhat with Culler's objections. There is no clear "winner", and you may not be swayed to Eco's point of view if you found one of the others more compelling, but there is ample food for thought.

Umberto Eco's discussion of interpretation and overinterpretation sheds light on several of his fictional works. In the same way, his fictional works help us to better grasp his technical writings. I am thinking especially of Foucault's Pendulum. The lead characters illustrate how the "diabolicals" engage in gross overinterpretation as they try to use historical materials to feed their conspiracy theory construction. The lead characters take all of this a step further, illustrating Eco's technical discussion of how we often move from "interpreting" a text to "using" a text. The lead characters definitely begin "using" the materials gleaned from the work of the diabolicals, reshaping and reforming connections between disparate facts, observations, theories, guesses, and hopes to finally conjure a sort of "super" conspiracy theory that captures the imaginations and jealous desires of the diabolicals. Because of their long-practiced habits of overinterpretation, the so-called Diabolicals are unable to resist the results of the main characters "use" of the texts. They are captured by the occult metatheory that they construct, with disastrous results. The lesson in the story is two-fold, I think. The first is that overinterpretation is irresponsible, risky, and even dangerous because it lacks discipline and self-restraint. It puts you in the position of considering or belieiving whatever reading one chooses to make, as long as there are SOME sorts of connections (real or imagined) to cling to. The second lesson is that the move from "interpretation" of a text to crass "use" of a text is manipulative, seductive, and dangerous in the sort of backlash it can generate among those that do not recognize the sort of interpretive move you have chosen to make. "Using" the work of another in a selfish or self-serving way can be trivializing at best and damaging at worst. Similar illustrations of Eco's work on "use," "interpretation," and "overinterpretation" of texts can be seen in many ways in The Name of the Rose, as well. This is especially true of the main character's interactions with the monks and their interpretations of what is happening in their monastery, including the legendary library, itself. Similar issues are at work with the Inquisitor, as well. I heartily recommend reading Eco's works on semiotics at the same time that you let yourself plunge into his works of fiction. The two help explain one another in a helpful manner.

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Ebook Free The Celestial Dragon I Ching: A Unique New Version of the Chinese Oracle for Making Decisions and Discovering Your Destiny, by Neyma Jahan

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The Celestial Dragon I Ching: A Unique New Version of the Chinese Oracle for Making Decisions and Discovering Your Destiny, by Neyma Jahan

The Celestial Dragon I Ching: A Unique New Version of the Chinese Oracle for Making Decisions and Discovering Your Destiny, by Neyma Jahan


The Celestial Dragon I Ching: A Unique New Version of the Chinese Oracle for Making Decisions and Discovering Your Destiny, by Neyma Jahan


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The Celestial Dragon I Ching: A Unique New Version of the Chinese Oracle for Making Decisions and Discovering Your Destiny, by Neyma Jahan

About the Author

Neyma Jahan is an expert on process psychology and an angel investor for unique business opportunities. His focus ranges from spiritual to current technology innovations. He created his Celestial Dragon I Ching working in an isolated hut in Patagonia, with input from a team of linguists and scholars. Neyma is presently engaged in developing a community for people with forward-thinking vision in which mind, body and personal wealth can thrive. He currently lives in Northern Thailand and may be contacted at neymajahan.com.  

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Product details

Hardcover: 288 pages

Publisher: Watkins (August 7, 2012)

Language: English

ISBN-10: 178028375X

ISBN-13: 978-1780283753

Product Dimensions:

5.2 x 0.9 x 7.6 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#942,435 in Books (See Top 100 in Books)

The I Ching is an inscrutable scripture. Its aphorisms and hexagrams are so foreign to the Western reader that any English translation or application is as good as another. It literally boils down to “your guess is as good as mine.”So it is with this translation. It is an interesting take on the meaning of the sayings within the Book of Changes. I do not understand Chinese, but it does not appear to be a “translation” as such, but a “rendering.” A nod is as good as a wink to a blind horse.This rendering has its limitations and benefits.Limitations: You need to use the hexagram coins in order to obtain the full benefit of its interpretation. The translator makes so many reference to the use of the coins that I was surprised a set did not accompany the book. So if you are approaching the translation as a general reader, forget it, this is not the book for you. Benefits: On the other hand, if you are really into the I Ching and have a set of coins at your disposal, this translation will be very beneficial. Also, it correctly identifies the hexagrams to be a representation of the natural order. This is unique in the available translations. Most concentrate on the various ways in which the I Ching may be interpreted: either as a political, philosophical or divinational tract.My divination of this version: Four and a half stars.

First off I need to say clearly that this is not a direct translation of the I Ching. If you are looking for a direct Chinese-English and what it says exactly and literal then I think the Wilhelm version is best choice for you. That being said, what Jahan has put together here is absolutely amazing if you are a certain audience.That would be people that want to use the I Ching to practically cast oracles. I started using the Legge and then Wilhelm version years ago to do my castings and I was always slight perturbed that the text while perfect in its literal translation sometimes made absolutely no sense to me as a native english speaker because it actually wrote the words in English as they translated from Chinese.So for example on the Wilhelm version Hexagram 21 Changing line #2 says"Bites through tender meat,So that his nose disappears.No blame."ok, great. whatever that means. . .Now the Celestial Dragon for the same Hexagram and Changing LineLine #2 - Lost in the Law"He becomes so engrossed in the details of the work that he fails to see the greater picture. Such negligence makes a difficult time for all"So I guess it comes down to when casting the I Ching, do you want a passage that talks about biting in meat and dissapearing noses or do you want a version that is correctly relayed into English so that it is clearly understood.I know where my vote stands.Another very cool thing about Jahan's translation is he actually gives names and imagery to the changing lines. Now I think this is a liberty taken by him? beyond the original scope of the work, but it makes it very easy to get a real understanding of the nature of the lines.All in all I will repeat what I said above and if you are an I Ching scholar, you need to be aware that this captures the "spirit" of things but Jahan does take liberties to make it clearly understandable to a Western audience. However if you don't care about any of that and you just want a kick-a$$ version of the I Chiing to do your divination in a way that is easy to understand then you found your book.Hope that gives a proper weighing of the pro's and cons.

I have been through many different versions of the Yi Jing and this onepushes the boundaries and breaks through to a whole new understanding ofthe subject matter. In fact if I could recommend that you get oneYi Jing translation, then get The Celestial Dragon I Ching.There are so many reasons why it is incredible including thenames given to the Hexagrams and identifiers for the changing linesand to top it off this version has a reading for all 6 changing lineswhich I have not found anywhere else.Basically go get this. You will be making a great decision.

i am an i ching junkie and student from way back and this version is very fun and also enlightening, with a great perspective. not 100% spot on, but more spot on in many ways and in many lines than other i ching versions. i love it and refer to it often.

Modern new school interpretation. Doesn't go beyond devination like it should. Daoist I ching is a masterpiece if you want the real deal.

I've been using the I Ching for 20 years. My bookshelf is filled with books about the Book. I have a few texts that I love, and I'm always looking for other works.I wanted to like this book, especially after reading the reviews. It's beautifully designed. The cover is gorgeous and the pages are organized and laid out beautifully. On the aesthetic front, this book gets high marks.On the practical front, it's a disappointment. The main text for the hexagrams is short. Extremely short. And it's really no more practical than the Wilhelm text and, in many ways, less so. I'm not a purist and translations done with poetic license don't bother me, but I am a pragmatist and this book falls short on.If you want a book to read to get a taste of the I Ching's perspective, this may be useful. If you want a text to support work with an oracle - clear, practical, useful advice - you should keep looking. This text won't get you there. I'll be sending this one back.For practical work with the I Ching, I'd recommend The Laws of Change by Balkin, The I Ching Workbook by Wing or The Complete I Ching by Huang. If you want a more poetic take that still has some depth and substance, check out Total I Ching by Karcher.

a book for read

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The Celestial Dragon I Ching: A Unique New Version of the Chinese Oracle for Making Decisions and Discovering Your Destiny, by Neyma Jahan PDF

The Celestial Dragon I Ching: A Unique New Version of the Chinese Oracle for Making Decisions and Discovering Your Destiny, by Neyma Jahan PDF

The Celestial Dragon I Ching: A Unique New Version of the Chinese Oracle for Making Decisions and Discovering Your Destiny, by Neyma Jahan PDF
The Celestial Dragon I Ching: A Unique New Version of the Chinese Oracle for Making Decisions and Discovering Your Destiny, by Neyma Jahan PDF

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